From:                                         West Australian Society of Art Inc <wasocartinc@outlook.com>

Sent:                                           Friday, July 30, 2021 9:40 AM

To:                                               << Test First Name >>

Subject:                                     [Test] WASA Newsletter July 2021 no. 49

 

 

 

ENCOURAGE - EDUCATE - EXHIBIT
Newsletter No 49

 

WASA acknowledges the Traditional Indigenous Owners of Country throughout Australia and recognizes the continuing connection to lands,
waters and communities.

We pay our respects to Aboriginal and Torres Strait Islander culture,
and to the elders - past, present and emerging
.

 

 

FROM THE PRESIDENT

Dear Members,

Our Annual General Meeting is being held on 15th July 2021.  Nominations for all the Committee positions have been received and will be the subject of a full membership vote.  A new committee will be formed from this AGM.  
This year, exceptionally, too, the AGM will be capped off with the final session on Strategic Planning to cement the key success drivers WASA needs to go forward in the new Financial Year.
The Society is secure in financial health and has revised its approach to many aspects throughout 2020/21, such as changes to monthly meetings and events; inclusion of painting ‘en plein air’; forging new links to other societies; a renewed emphasis on social media and website management; greater use of publicity; and a much wider reach in WA art as shown by increased membership.    
WASA can look back on an important and transitional year of change and readjustment in some of the most challenging times since the members had to sustain their Society through the period of The Great World Wars 1914-18 and 1939-45.  WASA endured through those tumultuous and confronting challenges.  WASA will do so now through the current challenges posed by COVID 19 to our Society.
‘Through adversity to success’ is one motto, and the key aims and achievements of the past year herald the Society's approach to endure, grow stronger and sustain the future for all members and artists.  A newly revised approach to art in WA is the key to our success and our future.
The Financial Year ends with a Society stronger and popular. That is in no small part due to the commitment of WASA volunteers, sub-committee and committee members, and all those who help give their time and expertise willingly for the good of all.   A huge thank you to them for their hard work, dedication and commitment to making Society a success.  Well done, and thank you.  Rewards come from hard work, teamwork and commitment to making WASA successful.
In the year 2021/2022, the challenges will continue, but so too will the rewards.  These will be both creative and intellectual.
Art activity is always a frustrating yet rewarding experience.  Perhaps these words by Robert Henri in The Art Spirit apply to WASA right now: 


“When the artist is alive in any person, whatever the kind of work may be, he becomes an inventor, searching, daring, self-expressive creature.  He disturbs, upsets, enlightens and opens ways for a better understanding.  Where those who are not artists are trying to close the book, he opens it and shows there are still more pages possible.”
  

To all members, thank you.
 

We look forward to our next year together as a new chapter begins.
With my best wishes

Roger Reading

 

TREASURERS REPORT

As Carol Murphy is retiring as Treasurer,
the final EOY figures are currently being audited.  
A financial statement will be reported at the AGM &
published in the next WASA Newsletter.
 

Membership for 2020-21 expired on 30 June 2021
If you wish to take part in future WASA activities
e.g. attend meetings and demonstrations and take part in WASA Exhibitions. You need to be a financial member.

 
WASA General Membership  -  $100 12 months

* Associate membership

*Country Membership - *Disability - *Student 
Conditions apply - Disability & Student Cards need to be sighted.

*Free membership is available to those who have been members of WASA for over 5 years and over the age of 75.
To be approved by WASA Committee. 

WASA no longer charges a joining fee or a door fee at meetings.

Our preferred method of payment is through our website, https://waart.org.au
Those wishing to register and who cannot access the website can pay at the AGM on the  Thursday 15th July,
by cash, credit, EFTPOS or bank transfer
 (BSB: 306-035, Acc No: 4196018. Ref:  YOUR NAME).


IMPORTANT
IF YOU HAVE A CHANGE OF CONTACT DETAILS,
PLEASE NOTIFY

wasocartinc@outloook.com

 

 

OUR NEXT MEETING

WASA ANNUAL GENERAL &
STRATEGIC PLANNING MEETING
THURSDAY 15TH JULY ARRIVE 7.00 P.M

 

On 15th July there will be the WASA Annual General Meeting. Members can nominate for positions on the Committee at this meeting.
 
The outcome of WASA a Strategic Plan for the future, emphasising the key elements and objectives we all wish to see in our Society.

Members are asked to support this work by responding to requests from this committee. 


WASA would like to express their thanks and gratification to the Strategic Planning Committee,
Brian Carew Hopkins, Sue Liddicoat & Geraldine Box

 

The meeting will be followed by a social gathering.
Alcoholic, orange juice and cool drinks supplied by WASA.


PLEASE BRING A PLATE OF FOOD TO ENJOY AND SHARE
WITH YOUR ART FRIENDS!

No Monthly Competition.
https://waart.org.au/wasa-annual-general-meeting-strategic-planning/

 

WASA MONTHLY PROGRAMME

 

"High Society" Comes to WASA

Thursday 19th August 2021

WASA MEMBERS FREE
Visitors Welcome!  $20.00 
PER PERSON

The "Palms" Community Centre

Cnr Rokeby Road & Nicholson Road Subiaco

Come and join us as we step back in time to the 18th Century.

We will be exploring art with a "Still Life" event just like the old masters!

There will be fun, frivolity & ART

Be prepared for an exciting night.

Bring your own drawing or painting supplies or purchase on the night.

We will have art and drawing supplies for purchase both before and after the meeting from Art and Craft World.

No August Monthly Competition

More details will be released as they become available!

 

OUR NEXT GOVERNMENT HOUSE 'EN PLEIN AIR

Thursday 26th August 9.30 - 12.00

Thursday 16th September 9.30 - 12.00


REGISTER YOUR NAME WITH  WASA SECRETARY SUZANNE LAWSON ASAP AS  WE ARE LIMITED TO 30 ARTISTS ONLY.

suzannemcg@hotmail.com

We are currently organizing  an exhibition which  will be held at
Government House in early 2022.

 

Thursday 16th September 2021

Monthly Competition - Miniatures - Your Pet

Demonstrator CATHERINE SCARTACCINI
Beautiful things come in small packages.

CS Illustrator

 

WELCOME TO OUR NEW MEMBERS


 Sarah Abbott, Natalie Achino,  Meredith Blais, John Bullock, Bolang Chen, Marina Davidson, Dale Dee,
 Karin Duarte, Julie Eaton, Joanne English,  Jennifer Hughes, Bee Khaw, Susan Sheppard, Claudia Woeltjes, Tracey Wood, Judith Warrick

 

 

WASA MEMBER OF THE MONTH

BETTY MCLEAN

“Outback  Road"  
This painting won the pastel prize and was the Most Outstanding exhibit at the Wagin Woolorama exhibition in  2021.
 

I moved from the country in the early 1980s and a new life began when I enrolled at Carine T.A.F.E  to do a Diploma in Art Studies.  I loved, not just the experience of my own painting, but being involved with the art community in W.A.  Thankfully my involvement continues today.  I’m very honoured to be a life member of the Pastel Society of W.A and the Trigg Art Group.
I use all mediums but enjoy pastels the most and the painting pictured here is a pastel.  I’m inspired by the love of the landscape and coast and use sunlight and shadows to express this love.
Other examples of my art can be seen:

Pastel Society of W.A.
Facebook Betty McLean Artist 
Instagram bettymcleanartist
bettymcl@bigpond.net.au

 

JUNE MONTHLY COMPETITION
Our demonstrator MARGARET COXALL  was invited to judge our monthly competition.

Margaret Coxall Paintings: home

 

BRENDON DARBY
 FORREST AWARD - PLATINUM - WINNER

I painted this piece ’Self Isolation’ early last year as Covid 19 started to kick in. I was sitting in my studio and heard on the news that there was a rush on face masks. Jokingly, I thought ‘I can just paint one on’ and so I did.

 

DEREK FITZPATRICK
FORREST AWARD - PLATINUM - SECOND PLACE

 

 

ANDY CONLIN
TEMPLE-POOLE  AWARD - GOLD - WINNER


In our first Lockdown, last year, I finally had the time to build myself an art studio ( ok it was a shed) and start to paint with some regularity.
The single skylight makes for quite dramatic lighting.  It’s a watercolour - Payne's grey. After struggling with colour harmonies I decided to go back to the basics and started painting monochromes, focusing on tone and fluency. I’ve since spent quite a lot of time painting in the Zorn palette and highly recommend it for anyone else needing to simplify their work

 

 

   COLYN HENWOOD

GIBBS AWARD - BLUE - WINNER.


The Drawing was done in front of the bathroom mirror, up-close using a chisel ended thick Calligraphy pen and watercolour washes.
At 87 years of age, I have to strain to see minor details due to Macular Degeneration ... I have expressed this ongoing worry by closing the bad eye to allow me to focus on lines that need to go in to get an “ expression “ on the face of the subject ... with portraits, I look at the image dispassionately, warts and all! However, my rather stern but bemused expression on the subject shows that I’m quietly pleased that I can still see in a really good light and close up !!

 

ROB KORNWEIBEL
WILGIE RED AWARD - SECOND PLACE

With my self-portrait, I wanted to explore the options beyond a study of the face alone.
John Olson explored the concept of Janus with his self-portrait. Finally, Brett Whitely explored the three faces of himself depending on the absence or otherwise of drugs.
And Norman Rockwell did a large one of himself looking at his own reflection from behind.
I took the idea of standing behind myself, the view an observer would have of me doing a self-portrait. My wife held a mirror behind me while I did a sketch from the mirror in front, but it didn’t really work. It was too hard to get the overlay correct, so I resorted to a photo of the back of my head.
Using the photo and my sketches, I transferred the canvas, bringing the two images together. Hence, the glasses formed an integrated element that There was good daylight from the window above, but reinforced with artificial lighting.

The painting was done in oils on canvas, using Art Spectrum and Langridge paints and #1 AS medium and gum turps in a 50/50 blend applied to both.
 

 

PAT TOMLINSON

WILGIE RED AWARD - THIRD PLACE
In my self-portrait, I wanted to show my pleasure while attending my weekly painting group at Art Matters. It is an acrylic on canvas pad and was painted from a photograph taken by Heather, a member of the group.

 

MEMBERS NEWS

 

COLYN HENWOOD

HAPPY BIRTHDAY
CONGRATULATIONS ON YOUR 87TH  BIRTHDAY
 

 

SUE HIBBERT
CONGRATULATIONS
My painting demonstration editorial "Landscape Values" is in The Art of Watercolour magazine, Issue 42 June - August 2021. The painting is called "First light Glow" inspired by a painting trip to York, Western Australia.


Sue Hibbert Watercolour
 

 

 

 

Resonant Light

Solo Exhibition | 26 July - 20 August 2021

Tresillian Arts Centre

“Resonant Light” - transforms the mundane of everyday spaces into dream-like urban visualisations. The exhibition is characterised by the multidimensional nature of the spaces we live in, where light determines our perception of the shapes that undulate around us each and every day. Resonant Light reacquaints the viewer with the beauty of the familiar that grows unseen over time. Sue’s approach to watercolour capitalises on the fluidity and unpredictability of the medium within the partially defined boundaries of realism.

Exhibitions | Sue Hibbert Watercolour
Sue Hibbert – WASA (waart.org.au)

 

For more information contact;
Renata Wright Art

info@renatawrightart.net

 

 

Featured Artists - Plein Air Down Under

Book now for PADU

 

 

 

WASA President, Roger Reading is the Chairman of Army Art (WA) Incorporated.  Each year A.A (WA) Inc. runs a large art exhibition located at Leeuwin Barracks in Fremantle, at which the art of all genres is sold for charity.  The funds raised this year will go to Legacy WA, the charity that supports defence families and their dependents.  Last year COVID prevented the exhibition from taking place but in 2019 a total of $20,000 was raised.
 
The exhibition this year will; be run over the weekend 20 -22nd August 2021.
 
Unlike WASA, A.A (WA) Inc., has no members as such, just a small committee that administers and runs the exhibition with the help of volunteers.  The committee selects artists from across WA to be invited to exhibit.  Selections and invitations are now being actioned.  I would like to submit your contact details to the A.A(WA) Inc. committee for consideration if you agree that I may do so.  To make things easy for all of you
 
IF YOU DO NOT WISH TO BE INVITED, PLEASE LET ME KNOW. AS SOON AS POSSIBLE.
 
By default, to be considered this year, your name and address will be shared with A.A(WA) Inc. Committee.
Given recent email scams, if you are unsure of an email you receive in this regard, please contact me by telephone.
 
Roger Reading, Chair, Army Art (WA} Incorporated
Army Art | Art | Events | Fundraising | Perth | About Us

 
Mobile: 0403 628 855.
 
 

 

MANDORLA  ART AWARD 2022

The major prize for the 2022 Mandorla Art Award is a $25,000 acquisitive prize. The winning work will become part of the permanent collection of the Mandorla Centre for Inner Peace Inc and is kept in trust at the New Norcia Museum and Art Gallery, WA. The $25,000 prize money includes Mandorla’s acquisition of the work.
The theme for this year is Metamorphosis - a profound or radical change. Reference "I am about to do a new thing; now it springs forth, do you not perceive it?" (Isaiah 43:19)

The Mandorla Art Award is now open for entries:

mandorlaart.com/2022-mandorla-art-award/

Entries close on the 18th March 2022.
Exhibition at Holmes a Court Gallery
21st May - 10th June 2022

Image 2021 Winner by Britt Mikkelsen "8200 Souls" (sleeping rough in Australia)

 


JAMES WALTER ROBERT LINTON (1869-1947)
He has been called the ‘Patriarch of Western Australian Art’.
WASA
Notable Artist of the Month


Last month I featured George Pitt Morison, a giant of the arts in W.A.
This month it is a pleasure to acknowledge and celebrate the contribution of James Linton, a member of WASA for over 30 years. He filled many roles in WASA in that time. He was a Committee Member, Vice President (on two Linton was a regular at the WASA annual exhibitions
James Linton came from a distinguished family of artists in London. He studied at the Endell and Slade Schools and was an established exhibitor with the Royal Institute of Painters in Water Colours, the Royal Institute of Oil Painters and the Royal Society of British Artists.
In 1896 Linton arrived in Albany to look after the family’s gold mining interests in Kalgoorlie. Unfortunately, he contracted typhoid fever which proved near-fatal. By 1898 he was in Perth and the following year he founded the Linton School of Art in Hay Street.
Apart from painting and drawing, Linton was an accomplished craftsman in wood and metal. In 1901 it was his casket that was presented to the Duke and Duchess of Cornwall on the occasion of the laying of the foundation stone for the new Museum and Art Gallery. 
In 1902 he married Charlotte Bates Brown and succeeded Frederick Williams as an art instructor at the Perth Technical College where he remained active until 1931.
The years 1907-1908 saw Linton back in England studying silversmithing, enamelling, jewellery and casting. He formed a partnership with Arthur Cross and they held an exhibition of craftwork in 1910.
In 1916 a special edition of the Studio ‘Art of the British Empire Overseas’ featured James Linton’s ‘End of the Day Swan River, W.A.’.
From 1922 to 1936 he served as a trustee of the Public Library, Museum and Art Gallery. In 1923 he opened a gallery in Murray Street West later to become a studio for his students. In 1930 he founded the Linton Institute of Art. By this time he was working alongside his son Jamie, an accomplished silversmith. Linton was included in numerous representative and celebratory exhibitions including The Colonial Eye (1979) and Western Australian Art and Artists 1900-1950. In 1955 and in 1977 retrospective exhibitions were held by AGWA. Examples of his work, paintings and craft, can be seen at the Art Gallery.
Perhaps his greatest contribution was his role as an educator of the following generation of artists and arts administrators.

 

Tim Sewell

 

Pippin Margaria
WASA Newsletter Editor

Our next WASA Newsletter will be published on Sunday 13th August 2021,
Please send all WASA articles for publication by Sunday 1st August 2021.

 

          

WEST AUSTRALIAN SOCIETY OF ART INC
SPONSORS

We would like to acknowledge and thank our sponsors for their generosity and support.

https://waart.org.au/sponsors/

If you would like to sponsor the West Australian Society of Art Inc 
Contact Roger Reading - reading.roger@gmail.com
We would love to hear from you.

 

 

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